A Few Suggestions
To Peter and anyone else playing with 3D.
Following up on Peter's suggestion, I tried to purchase National Geo's Book on Mars, which I found out, was printed in 1998. Nothing available in Cairns, but the cost was $38 plus postage.
A bright young girl in another bookshop directed me to the kids books where we found two different ones with glasses. The cheapest was $4.95 with two pairs of hand held glasses, so I grabbed it.
I found this interesting: One book had green and red colour shifts with blue and red glasses. The one I purchased had blue and red colour shifts with green and red glasses. They work fine on Peter's pics although the level of 3D wasn't brilliant. The bridge on vulcan's site was a little better but still not terrific.
On other Internet sites, I found the quality really varied from reasonable to poor. The closer the photos are to monotone (B&W) or a drawing, the better the depth. I strongly suggest you convert some pictures to Black and White and try them. There reason is this: All coloured photos contain massive amounts of red and blue. TV pictures are made up of Red Blue and Green). The red lens will offset any red in a photo and turn it to near white. Blue and green will do the same, but by using a green lens on photos with a blue offset isn't so bad. What you must do, is stop the red lens from washing out your photo, so by converting everything to monochrome, you'll solve the problem.
Finally, Taking two photos from a slightly different angle or aspect isn't the answer. You're trying to imitate the eyes or two cameras taking in the same scene. Hold a pencil vertically in front of you at arms length. Stand about 10 feet from a smallish object. Your computer monitor will do. Close your left eye and watch the pencil move to the right of your monitor. Now repeat with the other eye and the pencil will move to the left. The monitor won't move at all.
What we need to do, is manipulate a photo so that the vanishing point stays the same, but the extremes shift slightly in all directions sideways. If you photograph a train coming towards you at a 45% angle, the vanishing point will be on the edge closest to the rear of the train. If the train is coming directly at you, the vanishing point will be behind it.
I think Photoshop and Gimp both allow you to stretch photos from a given point to correct parralax issues. This feature should do the trick. When I get a few moments, I'll look into it. It's not easy to explain, so maybe this will help: