ISTR (not at a PC with access to Trainz ATM), there is a reasonable selection of 1st gen DMU/EMU stock.
Pretty certain there's a Class 116/117/118 suburban DMU along with a Class 121 bubble car.
There's also a Class 124 Trans-Pennine DMU.
There's also a surprisingly good Hastings DEMU available.
For electrics I'm fairly certain there is a Class 305 or similar for AC and a variety of SR third rail stock.
Whether these work in TANE or meet modern expectations I can't say but they are there.
One DMU I would like to see modelled though is the Class 120 Cross Country. These were quite widespread on what came to be the "Provincial Express" routes around Britain. Built for comfort and had a distinctive rasping exhaust on pullaway. Very nice to travel on, particularly across the Central Wales Line!
For EMU's, well the Class 310 was the mainstay of outer suburban services on the southern section of the LMR, later being transferred to the LT&S.
Sadly neither a Class 120 or Class 310 was preserved which might make reproducing in Trainz a challenge, particularly getting hold of authentic sounds.
Pretty certain there's a Class 116/117/118 suburban DMU along with a Class 121 bubble car.
There's also a Class 124 Trans-Pennine DMU.
There's also a surprisingly good Hastings DEMU available.
For electrics I'm fairly certain there is a Class 305 or similar for AC and a variety of SR third rail stock.
Whether these work in TANE or meet modern expectations I can't say but they are there.
One DMU I would like to see modelled though is the Class 120 Cross Country. These were quite widespread on what came to be the "Provincial Express" routes around Britain. Built for comfort and had a distinctive rasping exhaust on pullaway. Very nice to travel on, particularly across the Central Wales Line!
For EMU's, well the Class 310 was the mainstay of outer suburban services on the southern section of the LMR, later being transferred to the LT&S.
Sadly neither a Class 120 or Class 310 was preserved which might make reproducing in Trainz a challenge, particularly getting hold of authentic sounds.